About

Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Pomegranate Corners: The Stitching Begins

 

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After finally getting Pomegranate Corners framed up and ready, it was time to start stitching. The thread selection for this wool embroidery project has already been discussed, but I’ll make a few clarifications here, for those who wish to follow along.

Now, one thing I should probably mention is that this project will develop a lot like the Crewel Rooster project developed last year. I’m showing it to you “raw” as I go. For new visitors to Needle ‘n Thread, this means that I will make mistakes and change my mind and pick things out and change them and try again – and maybe even again – until I get what I want out of the thread and the stitches. When I show this kind of embroidery project development on the website, you get stuck with the whole darned process! So it won’t be like receiving a kit with perfect instructions in it – instructions that have already gone through the process, have been tested and found successful!

So that’s my disclaimer. It’s sort of like “covering my six,” as my dad-the-pilot would say…. or basically just offering a really lame excuse for showing you my mistakes!

Wool Embroidery Project: Stitching on Pomegranate Corners
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Pomegranate Corners Wool Embroidery: Framing Up

 

This past weekend proved to be good and bad. Good, because I was able to devote quite a bit of time to the Pomegranate Corners wool embroidery project. Bad, because everything seemed to go wrong with the project from the outset!

I’m going to show you all the ways I went wrong, starting today with the framing up of the project. Now, despite the “negativity” that you might think accompanies this post, in fact, overall, it was a positive experience. When everything goes wrong, it’s hard to see how the experience can be positive, eh? But really – it was a positive and productive weekend, because once I got going and making all kinds of mistakes, the fire was lit! I was into the project, and determined to make headway.

Pomegranate Corners Wool Embroidery Project: Framing the Embroidery Project
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Book Review: RSN Essential Stitch Guide for Blackwork

 

Like the RSN Essential Stitch Guide for Crewelwork that I reviewed the other day, the one for blackwork is a definite must-have resource for your needlework library – even if blackwork isn’t your thing, but especially if you have an interest in it. Let me explain…

Blackwork is only sometimes my thing. There are many aspects of blackwork that I like, and I’m drawn towards certain techniques that employ elements of blackwork. I love border patterns that include blackwork, for example, and that are worked in Holbein stitch. When considered a strictly counted, linear technique, however, it doesn’t really appeal to me too much: medallions or other geometric shapes (mandalas that repeat, and gridded stars and squares and circles and so forth) that are strictly counted Holbein stitch or backstitch – as lacy and pretty as they might be – aren’t really up my stitching alley. Though I suppose, like everyone else, I do go through phases where I can see how they could be appealing!

But blackwork can be something different from this linear approach – i.e. “pictures” achieved by patterned stitching with a gradation of shading, and often employing embroidered outlines. This, I find appealing. There’s something about achieving a shaded effect by gradually changing a pattern or by gradually changing thread weights within a pattern that I think is interesting and challenging… and beautiful. I also like the variety of filling patterns that are often employed in blackwork. Filling patterns interest me – whether they are counted or not.

So the blackwork embroidery that is primarily covered in this RSN stitch guide is not necessarily the same type of charted blackwork that we see often today. Certainly, elements of this type of blackwork “fit” within the frame of what the book is all about, but in fact, the RSN stitch guide concentrates more on that latter type of blackwork – a challenging form of blackwork that is more akin to surface embroidery than it is to counted cross stitch.

Book Review: RSN Essential Stitch Guide for Blackwork
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Now You See It, Now You Don’t. Now You See It.

 

There are several reasons why water-soluble, air-soluble, and “erasable” transfer pens for tracing embroidery designs make me a bit nervous. One reason is that the pens are made of a chemical substance that, in the long run, may affect fabric and threads. I tend to think that anything too chemical-ish is not the best choice to use on a fabric. Another reason is because I don’t trust them on two points: 1. I have witnessed a discoloration of fabric / threads from them; and 2. I have witnessed them re-appear as magically as they disappear.

That being said, on cotton fabric with colored cotton thread (for example, household projects like flour sack towels or pillowcases), I have used them to good effect, without any problems.

I recently procured an “erasable” water-soluble transfer pen, and I thought I’d give it a try. I was really curious about this “erasable” part! Was it a gimmick? I was also curious about how fine a line the pen would draw. Fine lines, even with marks that will wash away, are important to me in a transfer – the finer the line, the more accurately the line can be followed while stitching.

Water-Soluble and Erasable Transfer Pen for Embroidery Designs
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Book Review: RSN Essential Stitch Guide for Crewelwork

 


The Royal School of Needlework has begun publishing a series of “essential stitch guides” for various needlework techniques. The first two to come out in the series are on crewelwork and blackwork, and it looks as if two more will not be long in coming.

The title of the series indicates exactly what the books are: guides to the essential stitches used in the given technique. Keep in mind that they are not project books – you won’t find any practice projects in them, or anything of that nature. Rather, you’ll find the essential information for getting started (and progressing) in the needlework technique.

Royal School of Needlework Essential Stitch Guide for Crewelwork
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