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Mary Corbet

writer and founder

 

I learned to embroider when I was a kid, when everyone was really into cross stitch (remember the '80s?). Eventually, I migrated to surface embroidery, teaching myself with whatever I could get my hands on...read more

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Richly Stitched Landscape Embroidery: Review + Give-away!

 

Amazon Books

My friends, I think I have my Embroidery Book of 2026!

Yes, there are several embroidery books coming out in 2026 that I think are worth noting and highly desirable. I’ve already got a few on the calendar for review.

But this book – THIS book! – ticks all my little-embroidery-lovin’-heart’s boxes, on several levels. There is so much about it that is instructive – also on several levels – and so much about it that’s just downright charming.

Couple these points with the fact that it presents an approach to embroidery that can be highly customized into deeply personal and unique embroidery works, and I think you’ll understand why, even this early in the year, I think it is most likely my Embroidery Book of 2026 – and perhaps even beyond 2026. I suspect I will use it as a reference, project, practice, and inspirational book well beyond this year.

Please allow me to show you, up close, Cassandra Dias’s Richly Stitched Landscape Embroidery, published by C&T Publishing, and available worldwide now. Are you familiar with Cassandra’s work? If not, pop by her Instagram channel! You will be mesmerized by her landscapes.

Stick with me through the review, and at the end, you’ll have the opportunity to win your very own digital copy of the book, courtesy of C&T Publishing.

Richly Stitched Landscape Embroidery by Cassandra Dias
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W is for Wool!

 

Today, let’s explore the archives here on the Needle ‘n Thread and focus on W, for wool.

Oh my Word. Wow! Wool can be a Whopping & Weighty subject here, because it’s come up a lot over the past 20 years!

To keep things a little simpler, I’m just going to highlight key wooly articles – some that have to do with stitching with wool threads, some that have to do with embroidered wool (you’ll see what I mean), and some that have to do with other (kind of like the miscellaneous junk drawer in my kitchen).

So, come, come! Let’s talk about wool! As Alfred Doolittle would say, I’m Willing to tell you! I’m Wanting to tell you! I’m Waiting to tell you! … all about wool.

Crewel Rooster project
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Embroidery Design Transfer: Let’s Talk about Carbon Transfers

 

After 20 years of blogging, I always think I’ve answered just about every question about design transfer, but then someone surprises me and says, “I’ve searched all over your site for an answer to this, and I can’t find it!”

And then I search all over my site looking for an answer, too, because I can’t remember whether I’ve written about it or not.

Such was the case with the topic of transferring embroidery designs with carbon paper (or similar products).

I have touched on this topic before here and there (specifically, a million years ago, I used this method to transfer the design on this project), but I’ve not jumped head-first into it because I don’t often use carbon methods and materials for transferring designs.

Still, I have the tools and materials for this approach for the occasional times I do use it, so let’s talk about the process, the pros and cons, how it’s done, types of transfer mediums out there for this approach, and so forth.

I’m pretty sure this will comprise two (or more) blog posts to cover the topic thoroughly. But at least by then I’ll be able to say, “Oh yes. I’ve written about that, and you can find it here!”

Carbon transfer process for embroidery
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Weekend Diversion: Museum Embroidery & Another Dress

 

Welcome to the Weekend, and another delightful diversion for needlework enthusiasts!

If you want to dive down a rabbit hole or two this weekend and explore some interesting bits of embroidery from the past, I’ve got two terrific resources for you.

But be warned!

Rabbit holes are notoriously captivating. And once you’re in… you’re in!

Let’s start with a very famous museum with very notable textile holdings – specifically, the V&A in London (the Victoria & Albert Museum).

Victoria & Albert Museum, UK
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V is for Velvet Stitch & Victorian Tufting – Two More Fluffy Stitches

 

Week before last, in our exploration of the archives here on Needle ‘n Thread, we took a look at Turkey Work, which is a fluffy, dimensional embroidery stitch.

I would say that, among the fluffy, dimensional embroidery stitches out there, Turkey Work (also called “Ghiordes knot stitch”) is probably the most well-known.

But there are other ways to create a fluffy surface on your embroidery projects! Today, as we continue the ABC Archive Series, I’m highlighting two more stitches that can achieve very similar results to Turkey Work: Velvet Stitch and Victorian Tufting.

V is for Velvet Stitch and Victorian Tufting
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Sneak Peek: Our Next Stitch-Along

 

We have a summer stitch-along coming up here on Needle ‘n Thread, and today, I’ll sneak peek the project we’re preparing for you.

If you’re not familiar with our stitch-alongs on Needle ‘n Thread, I’ll also share some details about them below, so you can know what to expect.

When we first started doing these stitch-alongs – which I called Stitch Snippets – we were trying to fit in four a year. That become unmanageable. Now, we do two a year, one of which is usually a Christmas ornament. The other comes out somewhere in late spring or early summer. This year, it will be High Summer before we get started, I’m afraid.

But that’s appropriate because….

Blackberries stitch-along sneak peek
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Beeswax: Let’s Meander to The Blue Shelf

 

A couple times a year, Anna and I take some time to produce our Beeswax Petites for the shop. Recently, we made a whole bunch – including a couple new sizes and styles for those who can’t get enough of the good stuff!

These delectable morsels of 100% pure soft, supple, enticingly aromatic beeswax are ideal for strengthening thread in various embroidery and sewing applications. We use all cap wax (no brood comb or the like) that’s been quadruple filtered.

It is not a brittle beeswax – it doesn’t flake and break off like the pale yellow or white cakes you buy on the notion aisle at a sewing or craft store. You know it’s good stuff because it smells divine, it feels wonderful, and it’s dense but softens beautifully for applying to thread.

Beeswax Petites for embroidery, beading, sewing, and more!
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